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| M142Very hard phenolic. Small head for brilliant and pointed sounds on bells.Head = 7/8", L = 14 1/4"... | |||||||||||||||
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| M146Small oval aluminum head creates a very light and transparent sound on bells.Head = 11/16", L = 14 3/16"... | |||||||||||||||
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| M145Large oval brass head for a very big, bright and bold sound on bells.Head = 7/8", L = 14 3/16"... | |||||||||||||||
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| M162Medium. Adds a lush quality to the lower range while providing the attack needed through most of the upper range.L = 17 3/8"... | |||||||||||||||
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| M163Medium hard. For general playing on the entire range of the marimba. Produces excellent clarity in the upper range and rich tones in the lower and mid-ranges.L = 17 1/4" ... | |||||||||||||||
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| M133Medium poly. Light and clear for xylophone and bells A great choice for "rags".Head = 1 1/8", L = 14 1/4"... | |||||||||||||||
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| M140Medium nylon makes this a full sounding, general mallet on xylophone and bells.Head = 1 1/8", L = 14 1/4"... | |||||||||||||||
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| M161Soft. For use in the lower two-thirds of the instrument. Produces that deep open bass sound while still speaking through the mid-range.L = 17 1/2" ... | |||||||||||||||
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| M160Very soft. Huge sounding low-end mallets. Great for cello suites or general use bass mallets. Produces a full overtone-rich bass sound.L = 17 5/8"... | |||||||||||||||
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| M151Soft. Excellent for use in the lower third of the instrument. Produces a fine “low-end” sound. L = 15 3/4”, Latex thickness = 3/16”... | |||||||||||||||
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| M152Medium soft. Produces a warm, full-bodied sound with excellent clarity for the lower two-thirds register. L = 15 3/4”, Latex thickness = 1/8” ... | |||||||||||||||
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| M153Medium. Great for the middle register. A very versatile mallet. L = 15 3/4”, Latex thickness = 1/16” ... | |||||||||||||||
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| M154Medium hard. A fine choice for the top third register. Also a fine choice for legato “lead line” playing. No latex cover. L = 15 3/4” ... | |||||||||||||||
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| M130Soft plastic for a warm sound on xylophone. Also great on marimba.Head = 1 1/4", L = 14 3/8".... | |||||||||||||||
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| Victor Mendoza (M23)Hard cord wound mushroom heads produce a brilliant sound on vibraphone. With rattan handles.L = 15 1/2"... | |||||||||||||||
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| Gary Burton (M25)Yarn wound heads and rattan handles accommodate Gary's requirements on vibraphone.L = 15 1/2"... | |||||||||||||||
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| M136Hard acetal produces a very full and lyrical sound on bells and xylophone.Head = 1 ¼”, L = 14 ¼”... | |||||||||||||||
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| M137Medium hard Teflon® produces a bold and dark sound. A very unique choice for xylophone and bells.Head = 1 ¼”, L = 14 ¼”... | |||||||||||||||
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| M138Medium poly with an added brass weight creates a warm, dark sound on bells and xylophone.Head = 1 1/8”, L = 14 ¼”... | |||||||||||||||
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| M155Hard. Designed for articulate “lead line” playing within the top third of the instrument. With a thermal plastic core for plenty of clarity with this mallet! No latex cover. L = 15 3/4” ... | |||||||||||||||
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| M114Medium. The most popular model in the series, this mallet covers the entire range of the marimba and produces a singing sound that is full of life.... | |||||||||||||||
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| M150For bass marimba. Added weight creates great projection of the “low-end” voice and is ideal for bass line parts. L = 15 3/4”, Latex thickness = 3/16” ... | |||||||||||||||
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| M139Hard Lexan® with an added brass weight creates a full, pure and clear tone on bells and xylophone.Head = 1 ¼”, L = 14 ¼”... | |||||||||||||||
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| Stefon Harris (M36)Designed with a large head for increased fundamental and a beautiful, lyrical sound. Capable of being both articulate and full sounding in all registers of the vibraphone and marimba. With rattan handles. L = 14 1/2"... | |||||||||||||||